Indian and Southeast Asian art Research Paper Example | Topics and Well Written Essays - 2250 words

Indian and Southeast Asian art - explore Paper ExampleIndian art is not to be studied from the time-based evolution perspective simply rather from the region and period of its evolution perspective. (Mitter, 2001) Indian art has continuously evolved through time and is silent evolving. It begun with rock painting, moving onto rock cut caves and temple architecture and then paintings and sculptures. Alongside these forms, India also showed go up in the tribal form of art as there were various cultural and social groups in India. However, it is worth mentioning that almost all art forms were inspired by the innumerous Gods and Goddesses that people believed in, who were transformed into contemporary forms and familiar figs. Indian society has been very secular ever since ancient times and has encouraged disparate practices all along. This rich philosophy, both spiritual and rational, made its impact on Indian art and architecture. Temples and stupas were seen to mix symbolic la nguages based on important philosophical concepts. (Mitter, 2001). These included the Chakra or wheel of time, Padma or lotus, the symbol of creation, Swastika representing aspects of creation and motion, Mriga or deer the symbol of erotic desire and beauty and many such(prenominal) symbols. After the Mughals came to India, monumental architecture was introduced by them. The change in the architecture was reflected in most bighearted landmarks like the city gateways and the designs of royal tombs and mosques. However, traditional Indian tastes did continue to influence the Islamic architecture. Throughout its history, pietism has played an important role in shaping the countrys culture and beliefs. The major religions exercise in India atomic number 18 Hindiism, Buddhism, Jainism, Islam and Sikhism. Of these, Hinduism has been the foremost and most commonly... Dance forms, puppetry and shadow plays were introduced to these countries by Indians in the early seventh century. Late r though Chinese influence was observed along with Islamic influence. Indonesia, a very unvoiced Islamic country, still retained forms of Hindu art and culture like Shadow Puppet and publications like the Ramayana. That is common for most Mainland SEA except Vietnam where Hindu gods and arts were infused into Thai, Khmer, Burmese and Lao cultures. many another(prenominal) SEA languages like Maley and Javanese contain words of Sanskrit of Dravidian origin and some languages like Thai are still written in some form of Indian derived scripts. Their concepts of kingship and social hierarchy were all alter from ancient Hindu semipolitical theories. The Thai monarchy though follows Buddhism, requires the presence of Gour Brahmans for performing certain ceremonies. The images of Vishnu, lingas, Buddha and other Hindu cults are evidence of influence of Indian culture. Almost everywhere in SEA is a Buddha image showing influence of Guptas or Amravatis.The cult of Devaraja or God King, a derivate from Indian terminology, of cosmological and political ideas which was evident in the temple of Angkor Thom. The concept of religionping a god and making a place of worship was implemented first ever in this temple. With time, the interaction between India and regional evolution started producing many distinctive styles of Indianised SEA art and architecture.The other common factor between India and SEA was the worship of Lord Shiva.