Explore how Bob Dylan portrays transient figures in Like a Rolling Research Paper

Explore how Bob Dylan portrays transient figures in Like a Rolling Stone, and discuss how these portrayals confer to t - Research Paper ExampleBob Dylan was growing up personally and evolving his music in the context of the early bring movement at this time. However, what was an underground movement in the early 60s rapidly became mainstream with the Beatles and other rock groups gaining mass popularity in 1965. This transition can be seen on Bob Dylans album Bringing it Back Home (1965), which included one side of sept songs in the style he had popularized and come to be known by, and the other side featuring Dylans offshoot electric guitar based rock songs. (Kemp, 2001) Thus, in the classic song Like a Rolling Stone, Dylan smooth a morality tale in the style of an anthem addressed particularly to this division indoors the movement, discussing the different aspects involved with the mystical and revolutionary path of the underground when it meets the mainstream acceptance and propagation. Eastern Mysticism root in Buddhism, Taoism, Hinduism, Yoga, and Sufism was highly influential on the Beat Poets of the 1950s and forms the metaphysical basis for many of their whole shebang of writings. Bob Dylan can be considered highly influenced by the Beats, and also widely read in their literature at the time. This influence can be seen in the counter-culture lifestyle promoted by Dylan in his music. As Dylan biographer Sean Wilentz wrote in a New Yorker article on the Beats titled Penetrating Aether The Beat genesis and Allen Ginsbergs America, Dylan knew the poems, Ginsberg later claimed. Someone handed me Mexico City Blues in St. Paul in 1959, Dylan told him. It blew my mind. It was the prototypic poetry hed read that spoke his own American language, Dylan saidor so Ginsberg said he said. Maybe, maybe not. Without question, though, Dylan read Mexico City Blues and was deeply inte waited in Beat writing before he left Minneapolis for New York. (Like other Bea ts and hipsters, his friend Tony Glover ordered a paperback copy of William Burroughss Naked Lunch from France, where it had been published by Olympia Press in Paris in 1959 as The Naked Lunch uncertain whether the book, deemed obscene by American authorities, would exhaust customs. The book indeed arrived, and Glover lent it to Dylan, who returned it after a couple of weeks.) And Dylans involvement with the writings of Kerouac, Ginsberg, Burroughs, and the rest of the Beat generation is nearly as essential to Dylans biography as his immersion in rock and roll, rhythm and blues, and then Woody Guthrie. I came out of the wilderness and just naturally discharge in with the Beat scene, the bohemian, Be Bop crowd, it was all pretty much connected, Dylan said in 1985. It was knucklebones Kerouac, Ginsberg, Corso, Ferlinghetti I got in at the tail end of that and it was magic it had just as big an push on me as Elvis Presley. (Wilentz, 2010) Rolling Stone magazine states that Bob Dy lan was the first musician of the advanced era to have his lyrics considered by critics and the public to be works of literature. (Kemp, 2001) In this regard, Bob Dylan can be considered a Beat Poet, and his music concerts were played in venues with audiences made up of